Kathakali is one of the most demanding solo stage items at a school or college arts festival: a performer trained in the classical dance-drama style of Kerala enacts a scene through fixed hand gestures (mudras), facial expression and stylised movement, almost always without a spoken line, while a background chenda/maddalam ensemble and vocalists carry the narration. Judging it well means scoring technique and classical grounding, not just how elaborate the make-up looks. This guide covers the kathakali competition judging criteria organisers can use, a printable judgement sheet, and how to run the item in eTalenter.
What a Kathakali competition item tests
Kathakali is judged as a solo (Individual) item, open to both boys and girls as separate entries, usually from the senior age categories upward (Category III/IV in a school kalolsavam-style structure) since it needs years of classical training. A typical slot runs up to 15 minutes. Three things are being evaluated at once: how convincingly the performer holds the classical form, how clearly the story comes through without words, and how complete the traditional presentation (costume, make-up, posture) is.

Kathakali judging criteria (verified, 100 marks)
The marking scheme below is cited directly from a verified Kerala school kalolsavam-style item template (not invented) — three criteria totalling 100 marks:
| Criterion | Marks | What it covers |
|---|---|---|
| Make-up and costume (Aaharyam) | 30 | The traditional Kathakali veshom — paint, headgear, costume — correctly applied and worn for the character being portrayed |
| Enactment (Cholliyattam) | 40 | How the performer enacts the verse/story through mudras, facial expression (navarasa) and movement, in time with the sung narration |
| Classical knowledge | 30 | Command of the actual Kathakali vocabulary and grammar — correct mudras, footwork and posture for the style, not a generalised classical-dance interpretation |
Judges typically watch for whether the performer sustains classical accuracy for the full slot (it’s long compared to most solo stage items), rather than peaking at the start and fading. A performer who is technically correct but static scores lower on Enactment than one who stays expressive throughout.
Printable Kathakali judgement sheet
| Chest No. | Make-up & costume (/30) | Enactment (/40) | Classical knowledge (/30) | Total (/100) |
|---|---|---|---|---|
Print this table per judge, or skip the paper entirely — eTalenter’s judge scoring screen presents the same three criteria on the judge’s own phone, and the per-judge marks are tabulated automatically once every judge submits.

Time limit, participation type and deductions
| Setting | Value |
|---|---|
| Participation type | Individual (solo) |
| Gender | Boys and girls compete as separate entries |
| Time limit | Up to 15 minutes, with a warning cue typically a minute before time |
| Age/level | Usually restricted to senior categories (the classical training this item needs is rarely in place at junior levels) |
| Common deductions | Overrunning the time limit, missing or incorrect costume elements, breaking character or stopping mid-enactment |
Because the time limit is long relative to most solo items, organisers often schedule Kathakali slots with a buffer between performers so make-up changes and stage resets don’t cascade into delays for the rest of the day’s programme.
Tips for organisers running a Kathakali item
- Brief judges on the three criteria and their weights before the item starts — Enactment carries the most marks (40), so judges should watch continuity of expression, not just the opening pose.
- Build in make-up/costume time between performers; Kathakali make-up alone can take well over an hour for a serious performer, so slot timing should assume performers arrive well before their call.
- Keep a separate boys’/girls’ ranking since the item runs as separate-gender entries, not a mixed ranking.
- If your festival runs a Kathakali-Group item alongside the solo, score and rank them separately — group staging (ensemble choreography, multiple characters) is judged differently from one performer’s solo technique.
Running Kathakali in eTalenter
Set Kathakali up as an Individual item under your stage/On-Stage category, with separate boy/girl entries and the 15-minute cap. Load the three criteria (Make-up & costume /30, Enactment /40, Classical knowledge /30) into the item’s judging screen once, and every judge scores from their own phone — no paper sheets to collect or add up by hand. Results, rankings and certificates generate automatically once scoring closes. Open a live kalolsavam demo and log in as a demo judge or coordinator (no sign-up, read-only, nothing you click changes the event) to see the scoring screen for yourself.

Frequently asked questions
What are the judging criteria for a Kathakali competition?
Three criteria totalling 100 marks: Make-up and costume (Aaharyam) 30, Enactment (Cholliyattam) 40, and Classical knowledge 30.
Is Kathakali an individual or group item?
The core Kathakali item is Individual (solo), with boys and girls competing as separate entries. Some festivals also run a separate Kathakali-Group item for ensemble staging, scored and ranked on its own.
What is the time limit for Kathakali?
Up to 15 minutes per performer, which is long compared with most solo stage items — plan make-up and changeover time between performers accordingly.
How is Kathakali different from Mookabhinayam or a mono-act?
Mookabhinayam is silent facial/gestural expression to a background track with no fixed classical form required; a mono-act allows dialogue and props in a performer-built scene. Kathakali requires the specific classical vocabulary of mudras, navarasa expression and the traditional veshom costume — judges are explicitly scoring classical accuracy (Classical knowledge, 30 marks), not general expressiveness.
How are ties broken?
Most festivals break ties on the Enactment sub-score first (the highest-weighted criterion), then on Classical knowledge, before falling back to a shared placement — confirm the exact order in your own festival’s rules since this varies by organiser.
See also: Mookabhinayam judging criteria, Koodiyattam judging criteria, and mono-act judging criteria.
Running your school’s arts festival on eTalenter? Message us on WhatsApp (+91 96056 56508) or email support@etalenter.com for help with the software, or see how eTalenter handles kalolsavam-style festivals end to end. We can’t help with individual entries or submissions to the official fair — for those, please contact your school or the fair’s organisers.
Was this guide useful?

